Universality by Natasha Brown review – clever satire of identity politics
- 13/03/2025, 08:09
- theguardian.com
- 0
Culture
Larry Stanton: the artist who captured New York’s gay scene at a time of crisis
- 13/03/2025, 08:09
- theguardian.com
- 0
TV tonight: Stacey Dooley on the UK’s shocking rape conviction statistics
- 13/03/2025, 06:29
- theguardian.com
- 0
Ayo Edebiri ‘got insane death threats’ after Elon Musk shared fake report about Pirates of the Caribbean casting
- 12/03/2025, 17:38
- theguardian.com
- 0
Deutsche Börse prize review – Black cowboys, bonkers rock-huggers and a story of shocking loss
- 12/03/2025, 17:25
- theguardian.com
- 0
‘It’s supposed to be intense’: inside the experimental film that ‘truly captures’ autism
- 12/03/2025, 16:24
- theguardian.com
- 0
The Glass Menagerie review – exquisite, utterly devastating take on Tennessee Williams’ classic
- 12/03/2025, 15:38
- theguardian.com
- 0
A sculpture made of fire: Murray Fredericks’ best photograph
- 12/03/2025, 15:08
- theguardian.com
- 0
Sydney writers’ festival 2025: tallying authors’ views on Israel-Gaza ‘tokenistic and unfortunate’, organisers say
- 12/03/2025, 13:39
- theguardian.com
- 0
‘Carers need care, too’: Bruce Willis’s wife speaks out after deaths of Gene Hackman and Betsy Arakawa
- 12/03/2025, 13:39
- theguardian.com
- 0
‘I’m all for strange’: Sister Midnight’s Karan Kandhari on his punk rock debut, two decades in the making
- 12/03/2025, 13:08
- theguardian.com
- 0
Embodying the Impossible review – beguiling tricks of the magic trade
- 12/03/2025, 12:06
- theguardian.com
- 0
‘You get hooked so quickly!’ How Formula 1: Drive to Survive became the apex of TV documentaries
- 12/03/2025, 12:06
- theguardian.com
- 0
Maternity Service by Emma Barnett review – baby steps
- 12/03/2025, 11:21
- theguardian.com
- 0
Sister Midnight review – Mumbai-set comic horror finds the terror in arranged marriage
- 12/03/2025, 11:21
- theguardian.com
- 0
Keep dancing: Chanel DaSilva on taking risks, dealing with grief and tackling Trump
- 12/03/2025, 11:21
- theguardian.com
- 0
‘Painting was my final act of defiance’: how a chef from war-torn Eritrea wowed the art world after his death
- 12/03/2025, 11:21
- theguardian.com
- 0
‘I never thought about Oscars’: Brutalist composer Daniel Blumberg on the happiness and horror of his big win
- 12/03/2025, 10:35
- theguardian.com
- 0
Expelled! review – turning the tables on the private school class hierarchy
- 12/03/2025, 08:27
- theguardian.com
- 0
The Age of Diagnosis by Suzanne O’Sullivan review – do no harm
- 12/03/2025, 08:27
- theguardian.com
- 0
