‘They wouldn’t do this to Shakespeare’: the pioneers of postmodern architecture, as seen by their son
- 11/12/2024, 15:35
- theguardian.com
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Culture
The Housetrap review – Agatha Christie meets Lady Fanny Button in immersive mystery
- 11/12/2024, 14:33
- theguardian.com
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The Legends of Them review – reggae singer’s painful past and spiritual succour
- 11/12/2024, 14:33
- theguardian.com
- 0
Elton John: Never Too Late review – few surprises but plenty of joy in official life story
- 11/12/2024, 13:17
- theguardian.com
- 0
Jamie Foxx: What Had Happened Was ... review – a star is born again
- 11/12/2024, 13:17
- theguardian.com
- 0
La Rondine review – Pappano and the LSO make Puccini glitter
- 11/12/2024, 12:32
- theguardian.com
- 0
The Long Wave: The Lamar v Drake beef has gone legal – what does it say about today’s hip-hop industry?
- 11/12/2024, 12:32
- theguardian.com
- 0
TV on the Radio review – NYC art-rockers remain singular, energised and lupine
- 11/12/2024, 12:32
- theguardian.com
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The best recent poetry – review roundup
- 11/12/2024, 12:18
- theguardian.com
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Actor Danai Gurira inspires African playwrights with Zimbabwe workshops
- 11/12/2024, 10:17
- theguardian.com
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The Bibi Files review – tapes and testimony expose paranoia and petulance of Netanyahu family
- 11/12/2024, 09:16
- theguardian.com
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No Good Deed review – Lisa Kudrow carries this twisty, binge-worthy mystery
- 11/12/2024, 09:16
- theguardian.com
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The Producers review – daring delight is the sparkling standout of London’s festive theatre
- 11/12/2024, 08:17
- theguardian.com
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‘These are magic books’: bringing imaginary works of literature to life
- 11/12/2024, 08:17
- theguardian.com
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TV tonight: the mind-boggling search for the world’s oldest DNA
- 11/12/2024, 06:32
- theguardian.com
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Ballet legend Peter Wright: ‘Margot Fonteyn was cold as ice. Rudi Nureyev was a bit of a pain’
- 10/12/2024, 17:08
- theguardian.com
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‘I thirst for you’: the inside story of Badnam Basti, India’s first queer film
- 10/12/2024, 16:09
- theguardian.com
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‘How many dead Palestinians are enough?’ The unbearable prescience of the late poet Refaat Alareer
- 10/12/2024, 15:35
- theguardian.com
- 0
‘Shōgun was so refreshing for the Japanese’: Takashi Murakami on his blockbusting return
- 10/12/2024, 15:35
- theguardian.com
- 0
Séayoncé’s Perky Nativititties review – smut comes down Santa’s chimney
- 10/12/2024, 14:53
- theguardian.com
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